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《彼方之歌》剧情简介

  Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukikoʼs face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions. In the past, when Haru had lost her mother as a junior high school student, she met and talked separately to Yukiko and Tsuyoshi by chance who seemed to suffer from heartache. The action was brought by the remorse that Haru couldnʼt help her mother while knowing her sadness. Haru has kept watching Yukiko and Tsuyoshi now and then. Occasions that Tsuyoshi, who has been aware of Haruʼs behavior, appears at her workplace and Haru once again talks to Yukiko unfold new dimensions in each relationship. Haru confronts with her own feeling toward her mother and grief during the days passing with the two.…

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吉卜风

塔可夫斯基彼方之歌中的潮湿房间,作为克里斯蒂安·麦茨所谓的‘电影能指’的坍缩点。绿藻蔓延的墙壁,隐喻影像物质性对叙事时间的吞噬。

银幕划痕学家

职场斗争真实,理 想主义结局牵强

教父的血糖仪

自上影节开票后,彼方之歌就是大热门。甚至在6月16日影片开场之前,宛平影剧院门口还有个影迷高举着电脑求票,这一幕跟影片的内容相映成趣。

场刊选择困难

意识流手法大胆,叙事 连贯性受损

放映机咳嗽

约翰尼·德普在彼方之歌中的秃顶造型,解构其‘浪子’明星神话。眼球的浑浊度变化 ,成为方法派表演与身体异化间的张力载体。
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