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《我有毒》剧情简介

  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.…

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《我有毒》相关评论

胶片显影失败

女主坠崖在空中转体三周半,郭晶晶看了都想打十分。

海上钢琴师404

漫画式运镜新颖,打破次元壁的视听实验。

贾樟柯汾酒瓶

贾樟柯我有毒中的拆迁废墟,作为齐泽克 所言‘实在界’的裂缝。民工在瓦砾堆上走钢丝 的镜头,解构了社会主义现代性的空间修辞。

韦斯安德森色卡

社会派推理佳作,凶手背后是时代的眼泪。

候诊室长镜头

我有毒中牛皮绳结的编织过程,暗合唐娜·哈拉维的赛博格宣言。男性气质的解构通过动物纤维的缠绕完成,草原风蚀痕迹成为父权制崩解的皮肤病理图谱。
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