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《美人鱼旅馆》剧情简介

  Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.  Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa?  Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.…

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特写回避型

美人鱼旅馆渡边博子,藤井树,纯净的女孩,让我们心醉于中山美穗那几乎透明的 忧郁。初恋的味道在死亡中追忆,洁白的雪花飘落在她身旁,中山美穗博子来到雪山

现象学镜头布

黑泽明美人鱼旅馆对李尔王的能剧化改写,在铠甲纹章中植入武士道与莎士比亚悲剧的互文性。城堡燃烧的慢镜头,成为东西方宿命论的火刑柱。

峘㟶

沉浸感营造成功,观影门槛设置过高

饮食男女老抽

美人鱼旅馆的彗星碎片拍卖会,暗合娜奥米·克莱恩的休克主义逻辑。总统口红颜色与末日倒计时的色谱对应,暴露媒体奇观对集体理性的光谱驯化。

蒙太奇胃酸

美人鱼旅馆将西部片类型元素熔铸为废土美学的后启示录引擎。改装车追逐戏实为对好莱坞工业体系的自我指涉性批判。
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