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《再见,小红帽![电影解说]》剧情简介

  Also known as Red Riding Hood, Year 2000, this Hungarian/Canadian co-production is not for children. Director Marta Meszaros again dwells upon the travails of women trapped in oppressive society. This time, the Red Riding Hood legend is used metaphorically within the framework of a quasi-futuristic storyline. The "wolves" are of the human variety, and "friendly hunters" few and far between.  This is a weird and sometimes disturbing take-off on the beloved fairy tale. In this one, the main girl is far more whiny and petulant. She has a boyfriend (who is somehow able to come and go into the forest from the city with no visible means of transport) and she is able to communicate telepathically with the wolf. There is a sub-plot about the girl's divorced parents which doesn't really make sense and the film features a very odd development towards the end. The forest scenery is gorgeous and the film is professionally made but it's hard to tell if this was made for kids or not as it contains so many odd and questionable elements. It's definitely not the story that most people grew up with.…

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《再见,小红帽![电影解说]》相关评论

瞬息全宇宙腰肌

这是龙珠系列前所未有的这不仅是对过去故事的回顾,更是对鸟山明先生的致敬,让我在新的故事中,再次感受到了《#剧名#》系列一路走来的辉煌。所以我很兴奋的打了五星。

元宇宙分镜师

老套的叙事模板,缺乏新意的设定,好在演员颜值撑起整部作品。 

漫改尴尬癌

细节彩蛋埋设精巧,主线推进略显平淡

永远生面孔

再见,小红帽![电影解说]很久之前就听了大名 到现在 至少看过三次了吧

斯坦尼康宿醉

挖坑不填+强行煽情,编剧是用脚写的最后两集吗?
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