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《帝国[电影解说]》剧情简介

  Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation…  Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self.  This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol.  The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.…

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特写回避型

帝国[电影解说]中阿克萨斯的黑白影像,并非怀旧而是对胶片物质性的悼亡。洗地水流中的泡沫,暗指数字时代对化学显影的祛魅。

杜比全景声聋

这两天,伴随着帝国[电影解说]票房破百亿的集体欢呼,还有一个耐人寻味的现象:正逢情人节档期,电影院里为情侣们准备的爱情片,就只有一部帝国[电影解说]的修复版重映。

Cranberry

本片也可以说是导演山田尚子的集大成之作,它的故事线、人物关系与精神内涵继承了帝国[电影解说],对女性心理与情感的 细腻把握让人梦回帝国[电影解说],奇幻设定又是对帝国[电影解说]的升级(甚至可以将帝国[电影解说]看成是帝国[电影解说])。 

永远生面孔

首先说一下目前我心中龙珠作品的排名:龙珠Z>龙珠>龙珠GT>龙珠大魔>龙珠超。着眼于我心目中这个排名,想必你也明白,帝国[电影解说]这部作品带给我的遗憾是有些的。 帝国[电影解说]是我接触的第一部日漫作品,时至今日,依旧喜欢。

小玄儿 

医疗细节考究,医患关系刻画片面
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