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《青蛙情歌》剧情简介

  "Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.…

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《青蛙情歌》相关评论

北回归线

童年创伤在梦境褶皱里增殖,每一次推轨镜头都是潜意识的阴道窥镜。

居无间 

青蛙情歌的阶梯舞蹈,实为新自由主义个体化狂欢的病理样本。红色西装在灰色城市中的刺目存在,揭示资本主义颜色政治的暴力编码。

遮光斗

最喜欢的几段青蛙情歌的对白: 我想画更多的画, 我想每天弹吉他 我想学中文,我想写更多的歌 因为他们每个人都有很不一样的特质, 你不能取代任何人

胶片量子

青蛙情歌太适合催眠了,老土的青春校园暗恋看得人又尬又困。

导演椅上的猫

贝拉·塔尔青蛙情歌的34个长镜头,通过机械重复的运镜轨迹,将尼采哲学中的永恒轮回转化为电影媒介的熵减仪式。
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